On the weekend, I joined an online workshop run by Caoilinn Hughes (author of Gathering Evidence, Orchid and the Wasp & most recently The Wild Laughter) as part of the Melbourne Writers Festival. It turned out all participants, myself included, were emerging writers at most; several participants hadn’t yet started writing, but were hoping the workshop would get them motivated. When I heard this, I thought perhaps the content would be too basic. I wondered if I would learn anything new, since I’ve been writing and attending workshops for several years now.
I was completely wrong. The workshop sparkled with new information and advice, and I found myself scrambling to write it all down. But one tip stood out above the others.
I thought I’d learnt this already. But when Caoilinn gave a few examples, my toes curled in recognition (hmm, is this a cliche too?). She warned against the old, hackneyed ways of showing what our characters are feeling – he bit his lip, she clenched her fists, he raised his eyebrows. Caoilinn Hughes suggested we try something different. Steer away from familiar, well-worn phrases.
And I realised that eliminating cliches, as much as possible, is what I need to do next to become a better writer. And that after that, there will be something else that needs addressing. And then another way to progress. And though I’ve known this a long time, I was reminded yet again that the writing life will be a constant process of learning and levelling up.
I find that daunting in some respects. It’s exhausting to think of always striving, never quite reaching a goal. But in other ways, the thought is exhilarating. To know that writing is a lifelong pursuit, that there is no ending besides our own deaths, that we will forever be discovering, examining, imagining and improving. It seems a thrilling and remarkable way to spend our days.